El crítico Holland Cotter en The New York Times sobre la obra que presentó el artista cubano Pavel Acosta en la Bienal del Museo del Barrio:
“Wallscape” is, in its exquisite way, an epic performance, a lesson in creative economy, a tribute to existing art, an acknowledgment of ethnicity and its politics, an exercise in personal mastery, and an expression of love for all of that.
Berlinwallcape?
ResponderEliminar